Glasscock, Alan

Alan Glasscock, of Dallas, Texas, became interested in swing music while still at school. He began collecting big band recordings and studying piano with the dream of one day leading his own big band. At age 18, he formed the "first edition" of the Alan Glasscock Orchestra, and soon became very popular among the local dancers. His orchestra began attract quite a following, as they were becoming uniquely famous for playing the original arrangements of the great bandleaders such as Glenn Miller (Glasscock’s personal favorite), Benny Goodman, Artie Shaw, Harry James, and many others. His “book" was soon filled with the original charts, which he himself transcribed from the original recordings.

His arranging talents soon began to flourish, mostly out of necessity because the original big band charts had long been out of print, or had never been published at all. And the titles that were available through regular retail outlets had lost much of their original flavor, either modernized beyond recognition or very watered down to make them easy enough for high school musicians.

"Sometimes I get perhaps way too picky when transcribing a chart. I really visualize the bands that made the original recordings, and notate things that were idiosyncratic about that particular band. Especially the Glenn Miller charts — I write the saxes just as they were in Miller’s reed section. Right down to the doubles on their parts."

His arranging credits include writing for former Glenn Miller saxophone star, the late Tex Beneke, many local Texas big bands, The Esquires of Torrance, CA., the Rick Gerber Big Band of Los Angeles, CA, and the Alan Glasscock Orchestra.

Alan Glasscock, when not fronting his own 16-pc. orchestra, spends much of his time at the computer writing charts, listening to big band music, and even swing dancing as a hobby.

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(I
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(I'VE GOT A GAL IN) KALAMAZOO

Recorded by Glenn Miller

Transcribed and Adapted by Myles Collins and Alan Glasscock

Jazz Big Band Arrangement with Vocal Solo and Quartet

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LL-2231

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ACCENTUATE THE POSITIVE
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ACCENTUATE THE POSITIVE

Recorded by Johnny Mercer with the Pied Pipers and the Paul Weston Orchestra

Transcribed and Adapted by Alan Glasscock

Jazz Big Band Arrangement with Solo Vocal and Vocal Group

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LL-2213

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ANCHORS AWEIGH
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ANCHORS AWEIGH

Recorded by Glenn Miller

Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1352

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AND HER TEARS FLOWED LIKE WINE
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AND HER TEARS FLOWED LIKE WINE

As Recorded by Stan Kenton and Anita O'Day

Transcribed and Adapted by Alan Glasscock

Jazz Big Band Arrangement with Vocal

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LL-2254

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ANVIL CHORUS
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ANVIL CHORUS

As Performed by Glenn Miller

Arranged by Jerry Gray, Transcribed and Adapted by Alan Glasscock

Jazz Big Band Arrangement

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LL-1080

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APPLE BLOSSOM TIME
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APPLE BLOSSOM TIME

As Performed by the Andrews Sisters

Arranged by Vic Schoen, Transcribed by Alan Glasscock

Jazz Trombone Ensemble Arrangement with Vocal Trio

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LL-2106

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AT LAST
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AT LAST

As Performed by Glenn Miller

Transcribed by Alan Glasscock

Jazz Big Band Arrangement with Vocal

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LL-2029

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BLACKSMITH BLUES
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BLACKSMITH BLUES

Recorded by Ella Mae Morse

Arranged by Nelson Riddle, Transcribed and Adapted by Alan Glasscock

Jazz Big Band Arrangement with Vocal

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LL-2325

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BLUES IN THE NIGHT
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BLUES IN THE NIGHT

Recorded by Glenn Miller

Arranged by Billy May, Transcribed by Alan Glasscock

Jazz Big Band Arrangement with Male/Female Vocal Duet and Backing Vocal Group

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LL-2353

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BOOM SHOT
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BOOM SHOT

As Performed by Glenn Miller

Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1079

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BOULDER BUFF
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BOULDER BUFF

Recorded by Glenn Miller

Arranged by Fred Norman, Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1276

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BOUNCE ME BROTHER WITH A SOLID FOUR
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BOUNCE ME BROTHER WITH A SOLID FOUR

Recorded by the Andrews Sisters

Transcribed by Alan Glassock

Jazz Big Band Arrangement with Female Vocal Trio

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LL-2096

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CALL ME IRRESPONSIBLE
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CALL ME IRRESPONSIBLE

As Recorded by Bobby Darin

Transcribed by Alan Glasscock

Jazz Big Band Arrangement with Vocal

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LL-2139

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CARAVAN
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CARAVAN

Recorded by Ella Fitzgerald with Duke Ellington

Arranged by Billy Strayhorn, Transcribed by Alan Glasscock

Jazz Big Band Arrangement with Vocal

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LL-2366

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CELERY STALKS AT MIDNIGHT
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CELERY STALKS AT MIDNIGHT

Recorded by Will Bradley

Arranged by Will Bradley and George Harris, Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1272

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CHERRY
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CHERRY

As Performed by Harry James

Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1096

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CHICAGO
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CHICAGO

Recorded by Tommy Dorsey

Arranged by Sy Oliver, Transcribed by Alan Glasscock

Jazz Big Band Arrangement with Vocal

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LL-2263

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CHICKEN REEL
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CHICKEN REEL

Recorded by Glenn Miller

Arranged by Bill Finegan, Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1123

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CHLOE
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CHLOE

As Recorded by Ted Heath

Transcribed and Adapted by Alan Glasscock

Jazz Big Band Arrangement

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LL-1213

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CONTINENTAL, THE
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CONTINENTAL, THE

Recorded by Tommy Dorsey

Arranged by Bill Finegan, Adapted by Alan Glasscock

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LL-1193

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CONVERSATION PIECE
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CONVERSATION PIECE

Recorded by Glenn Miller

Arranged by Bill Finegan, Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1368

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DANNY BOY (LONDONDERRY AIR)
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DANNY BOY (LONDONDERRY AIR)

As Performed by Glenn Miller

Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1037

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DARK EYES
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DARK EYES

Recorded by Will Bradley

Arranged by Leonard Whitney, Transcribed by Alan Glasscock

Jazz Big Band Arrangement

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LL-1326

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DON
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DON' CHA GO 'WAY MAD

As Performed by Harry James and The Skylarks

Transcribed by Alan Glasscock

Jazz Big Band Arrangement with Vocal Group

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LL-2107

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